Luciano Pavarotti & Queen – Too Much Love Will Kill You
Luciano Pavarotti, Cavaliere di Gran Croce OMRI (Italian pronunciation: 12 October 1935 – 6 September 2007) was an Italian operatic tenor who also crossed over into popular music, eventually becoming one of the most commercially successful tenors of all time. He made numerous recordings of complete operas and individual arias, gaining worldwide fame for the brilliance and beauty of his tone—especially into the upper register—and eventually established himself as one of the finest tenors of the 20th century.
As one of the Three Tenors, Pavarotti became well known for his televised concerts and media appearances. From the beginning of his professional career as a tenor in 1961 in Italy to his final performance of “Nessun dorma” at the 2006 Winter Olympics in Turin, Pavarotti was at his best in bel canto operas, pre-Aida Verdi roles, and Puccini works such as La bohème, Tosca, and Madama Butterfly. Pavarotti was also noted for his charity work on behalf of refugees and the Red Cross, amongst others. He died from pancreatic cancer on 6 September 2007.
Luciano Pavarotti was born in 1935 on the outskirts of Modena in Northern Italy, the son of Fernando Pavarotti, a baker and amateur tenor, and Adele Venturi, a cigar factory worker.
Although he spoke fondly of his childhood, the family had little money; its four members were crowded into a two-room apartment.
According to Pavarotti, his father had a fine tenor voice but rejected the possibility of a singing career because of nervousness. World War II forced the family out of the city in 1943. For the following year they rented a single room from a farmer in the neighbouring countryside, where the young Pavarotti developed an interest in farming.
After abandoning the dream of becoming a football goalkeeper, Pavarotti spent seven years in vocal training. Pavarotti’s earliest musical influences were his father’s recordings, most of them featuring the popular tenors of the day – Beniamino Gigli, Giovanni Martinelli, Tito Schipa, and Enrico Caruso.
Pavarotti’s favourite tenor and idol was Giuseppe Di Stefano and he was also deeply influenced by Mario Lanza, saying: “In my teens I used to go to Mario Lanza movies and then come home and imitate him in the mirror”. At around the age of nine he began singing with his father in a small local church choir.
Pages: 1 2