Fabrizio Leo – Hammer Horror
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Jazz fusion is a musical fusion genre that developed from mixing funk and rhythm and blues rhythms and the amplification and electronic effects of rock music, complex time signatures derived from non-Western music and extended, typically instrumental compositions with a jazz approach to lengthy group improvisations, often using wind and brass and displaying a high level of instrumental technique. It was created around the late 1960s. The term “jazz rock” is often used as a synonym for “jazz fusion” as well as for music performed by late 1960s and 1970s-era rock bands that added jazz elements to their music. It is distinct and different from Canterbury Scene progressive rock and other forms of Prog Jazz Fusion, in which extended Prog instrumentals use improvisation and take on a Jazz influenced feel. After a decade of popularity during the 1970s, fusion expanded its improvisatory and experimental approaches through the 1980s and 1990s. Fusion albums, even those that are made by the same group or artist, may include a variety of styles. Rather than being a codified musical style, fusion can be viewed as a musical tradition or approach.
According to bassist/singer Randy Jackson, jazz fusion is an exceedingly difficult genre to play; “I […] picked jazz fusion because I was trying to become the ultimate technical musician-able to play anything. Jazz fusion to me is the hardest music to play. You have to be so proficient on your instrument. Playing five tempos at the same time, for instance. I wanted to try the toughest music because I knew if I could do that, I could do anything.”
Jazz-rock fusion’s technically challenging guitar solos, bass solos and odd metered, syncopated drumming started to be incorporated in the technically focused progressive metal genre in the early 1990s. Progressive rock, with its affinity for long solos, diverse influences, non-standard time signatures, complex music and changing line-ups had very similar musical values as jazz fusion. Some prominent examples of progressive rock mixed with elements of fusion is the music of Gong, Ozric Tentacles and Emerson, Lake & Palmer.
The death metal band Atheist produced albums Unquestionable Presence in 1991 and Elements in 1993 containing heavily syncopated drumming, changing time signatures, instrumental parts, acoustic interludes, and Latin rhythms. Meshuggah first attracted international attention with the 1995 release Destroy Erase Improve for its fusion of fast-tempo death metal, thrash metal and progressive metal with jazz fusion elements. Cynic recorded a complex, unorthodox form of jazz-fusion-influenced experimental death metal with their 1993 album Focus. In 1997, G.I.T. guitarist Jennifer Batten under the name of Jennifer Batten’s Tribal Rage: Momentum released Momentum – an instrumental hybrid of rock, fusion and exotic sounds.
Another, more cerebral, all-instrumental progressive jazz fusion-metal band Planet X released Universe in 2000 with Tony MacAlpine, Derek Sherinian (ex-Dream Theater) and Virgil Donati (who has played with Scott Henderson from Tribal Tech). The band blends fusion-style guitar solos and syncopated odd-metered drumming with the heaviness of metal. Tech-prog-fusion metal band Aghora formed in 1995 and released their first album, self-titled Aghora, recorded in 1999 with Sean Malone and Sean Reinert, both former members of Cynic. Gordian Knot, another Cynic-linked experimental progressive metal band released its debut album in 1999 which explored a range of styles from jazz-fusion to metal. The Mars Volta is extremely influenced by jazz fusion, using progressive, unexpected turns in the drum patterns and instrumental lines. The style of Uzbek prog band FromUz is described as “prog fusion”. In lengthy instrumental jams, the band transitions from fusion of rock and ambient world music to jazz and progressive hard rock tones.
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